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In the early 1990s, has the opportunity to establish his studio in Amedeo Modigliani's birth house, which will be his workspace for the entire decade. In 1991 takes part in an itinerant exhibition entitled Italian Artists, held at Osaka and Tokyo and organized by associated Italian Art Galleries at the Seibu Museum in Japan.
Few years later, invited to the 3rd Luso-Greco-Italian Festival of the Theatre and Culture at the Municipal Art Gallery of Montemor-o-novo (Portugal). Text in the catalogue by Dino Carlesi, Vasco Fernando and Jorge Queiroz.
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In 1996, personal exhibition organized at the Studio G Arte Moderna Gallery in Milan (Italy), with catalogue text by Raffaele De Grada. In this exhibition, the artist confirms his totally recovery of the landscape as a primary motif and expressive element of his imagination. The landscapes are now broader, more universal, represented in their essence, minimalistic, geographically impossible to place, non-places which belong to everybody, which everybody has inside him, which everybody can feel to be familiar.
“And he possesses a fine individuality which is capable of narrating the mystery of spaces, and goes beyond the value of form” (Raffaele De Grada, 1996)
